Nicholas Terpstra Truman State University Press

The Art of Executing Well by Nicholas Terpstra

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The Art of Executing Well

Author : Nicholas Terpstra

Publisher : Truman State University Press

Published : 2008

ISBN-10 : 1931112878

ISBN-13 : 9781931112871

Number of Pages : 354 Pages

Language : en

Descriptions The Art of Executing Well

In Renaissance Italy a good execution was both public and peaceful--at least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution. The main text is a manual, translated in English for the first time, on how to comfort a man in his last hours before beheading or hanging. It became an influential text used across Renaissance Italy. A second lengthy piece gives an eyewitness account of the final hours of two patrician Florentines executed for conspiracy against the Medici in 1512. Shorter pieces include poems written by prisoners on the eve of their execution, songs sung by the condemned and their comforters, and popular broadsheets reporting on particular executions. It is richly illustrated with the small panel paintings that were thrust into prisoners' faces to distract them as they made the public journey to the gallows. Six interdisciplinary essays explain the contexts and meanings of these writings and of execution rituals generally. They explore the relation of execution rituals to late medieval street theater, the use of art to comfort the condemned, the literature that issued from prisons by the hands of condemned prisoners, the theological issues around public executions in the Renaissance, the psychological dimensions of the comforting process, and some of the social, political, and historical dimensions of executions and comforting in Renaissance Italy.

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The Art of Executing Well: Rituals of Execution in Renaissance Italy - "The Art of Executing Well offers a disturbing picture of what went on behind the scenes at executions in Renaissance Italy. Companies of patrician laymen consoled the condemned during the dark night before an execution, whispered prayers into his ear as he marched through the streets on the way to the scaffold, and stood by him right up to the moment of death

Why read The Art of Executing Well? - - The Art of Executing Well. By Nicholas Terpstra (editor), Book description In Renaissance Italy a good execution was both public and peaceful―at least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen

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The Art of Executing Well: Rituals of Execution in Renaissance Italy - The Art of Executing Well: Rituals of Execution in Renaissance Italy. Kirksville: Truman State University Press, 2008. xiv + 354 pp. index. append. illus. tbls. bibl. $24.95. ISBN: 978-1-931112-88-8. Intrigued by a Bolognese manual used to comfort condemned criminals, Nicholas Terpstra assembled an international cast of scholars and

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The Art of Executing Well: Rituals of Execution in Renaissance Italy - Nicholas Terpstra, ed. The Art of Executing Well: Rituals of Execution in Renaissance Italy. Kirksville: Truman State University Press, 2008. xiv + 354 pp. index

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The Art of Executing Well - - "The Art of Executing Well offers a disturbing picture of what went on behind the scenes at executions in Renaissance Italy. Companies of patrician laymen consoled the condemned during the dark night before an execution, whispered prayers into his ear as he marched through the streets on the way to the scaffold, and stood by him right up to the moment of death

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Hunt on Terpstra, 'The Art of Executing Well: Rituals of Execution in - The second half of the Art of Executing Well also includes two primary sources related to public executions and comforting. The first is Luca della Robbia's account of the last night of two Florentine patricians arrested and condemned for conspiracy against the restored Medici regime. The second is two popular ballads by the poet Giulio Cesare

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The Art of Executing Well: Rituals of Execution in - “ The Art of Executing Well offers a disturbing picture of what went on behind the scenes at executions in Renaissance Italy. Companies of patrician laymen consoled the condemned during the dark night before an execution, whispered prayers into his ear as he marched through the streets on the way to the scaffold, and stood by him right up to

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- Essentially it was a practical guide to the ars moriendi, the art of dying well, hence, the title of the book, The Art of Executing Well, which meant getting the prisoner to confess his sins and preparing him for a Christian death

The Art of Executing Well: Rituals of Execution in - “The Art of Executing Well offers a disturbing picture of what went on behind the scenes at executions in Renaissance Italy. Companies of patrician laymen consoled the condemned during the dark night before an execution, whispered prayers into his ear as he marched through the streets on the way to the scaffold, and stood by him right up to

Nicholas Terpstra, ed. The Art of Executing Well: Rituals of - the art of dying well. The other two translated texts are a Florentine account of the execution of two conspirators against the Medici in 1512 and two short poems describing public executions in Bologna and Ferrara in 1587 and 1590 respectively. The individual essays and texts in the book are well written and often very

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The Art of Executing Well - - “The Art of Executing Well offers a disturbing picture of what went on behind the scenes at executions in Renaissance Italy. Companies of patrician laymen consoled the condemned during the dark night before an execution, whispered prayers into his ear as he marched through the streets on the way to the scaffold, and stood by him right up to